He got back to Paris in 1947 where he passed on July 11, 1954, at 85 years of age, not long before the launch of a show of his works at the exhibition hall of Avignon. The Salon d'Automne coordinated a review of his works the next year. Crafted by Albert André are addressed in numerous significant exhibition halls, including the Museum of Modern Art, New York, the Chicago Art Institute, the galleries in Philadelphia and Washington DC, and the Musée D'Orsay in Paris. Grounded from World War I in 1917, he moved to Marseille and afterward to the town of Laudun in the Gard, where he had been an extended get-away since his adolescence as his family claimed a house there along with a little grape plantation. He became caretaker of the workmanship gallery of Bagnols-sur-Cèze, where he stayed until his passing. In 1919, he created a monograph, "Renoir", viewed as "perhaps the most precise contemporary records of the craftsman's work", and in 1921, he coordinated a review of Renoir's work at the Durand-Ruel Gallery. He was additionally extremely near the workmanship pundit George Besson, a companion since 1910. In 1971, Besson chose to offer his craft assortment to the country, giving to the galleries of Besançon and Bagnols-sur-Cèze, where the gallery is presently called Musée Albert-André.
André kicked the bucket on 11 July 1954 at 85 years of age, presently before his works were expected to be exhibited at the Avignon Museum. After his passing, in 1955, the Salon d'Automne coordinated a review of his works. Today a significant number of his artworks are to be found in significant world exhibition halls like the Modern Art Museum of New York, the Art Institute of Chicago, galleries in Philadelphia and Washington DC, Paris' Musée d'Orsay, the Galerie Rienzo, and the Musée Albert-André in France.